The movie business must see you very differently now. You were nominated alongside Jennifer Jason Leigh, Rooney Mara, Rachel McAdams and Kate Winslet. I haven’t stopped since – I haven’t even had time to go back home to Sweden. When we got there we said to each other, “It’s crazy being here together!” Then I danced all night long, and the next morning I went back to work. So finding myself on the red carpet with her. When I was little, my mother used to set the alarm for 2.00 am to watch the Oscars. It was especially extraordinary in that when I grew up English-language, and particularly American, movies seemd like a far-off fantasy world. What an incredible evening! I was with family and friends who’d all come over from Europe. Which in the end was all just a coincidence! And this great big wave culminated with the Oscars. Numéro: This past year has been incredible for you.Īlicia Vikander: Yes, it’s been a very intense 12 months! A lot of my films came out almost at the same time, and I had to do a lot of interviews and faced media exposure like never be- fore. Ahead of her next three re- leases – Jason Bourne in August, The Light Between Oceans by indie director Derek Cianfrance this au- tumn, and Lara Croft due out next year – Vikander told Numéro about the craziest year in her career. It was a surprise win, and made her the most sought-after actress of her genera- tion. With a filmography ranging from cos- tume dramas such as Royal Affair or Anna Karenina to heavyweight thrill- ers like Ex_Machina, this February she left Los Angeles’ Dolby Theater with the best-supporting-actress Oscar for her role in Tom Hooper’s The Danish Girl. An accom- plished ballet dancer, who has been in the spotlight since her childhood, Vikander has accumulated a fine back catalogue of leading roles since taking the decision to work exclu- sively in cinema at the age of 20. Born in Göteborg, the current face of Louis Vuitton isn’t blonde like her predecessor, but is already demon- strating a similar talent. In a documentary that came out in 2015, Alicia Vikander lent her voice to Ingrid Bergman, which was a way of owning her at least theoretical fil- iation with the most iconic Swedish actress in the history of Hollywood.
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